And the G.Maj has serious reliability parts issues. I don't think I would really spend much time evaluating which of these two units sound great as none really does. the G-Force never shined for its converters, I agree on this. Take a PCM80 and listen to its conversion and you won't find much with that sound quality in the mid/low price range of what's available now. Generally speaking, cheap current units are quite poor at being "musical" in tone. maybe a decent sounding analog older input stage vs.
you don't necessarily get a better and more musical sounding unit from the newer one.Īdd to that the facts about how two products are built. If a product used an mid/high end converter vs a new product using the latest cheaper converter. That being said I always wanted an Eventide since i. This thing about converters is endless.Ī newer converter isn't nesessarily better than a slightly older one really. Was actually leaning G force as I can get it for almost 450 less. in fact i found that within the console's virtual effects rack, the reverbs were better sounding than my experience with the spx, which i could only attest to being a result of running digitally within the consoles matrix, thus eliminating the need for the ad/da conversion at the effect ins and ous.įinally having just spent time with the boss VF-1, the gforce delay and chorus is much deeper and fuller sounding that the boss.
T.C ELECTRONIC G FORCE SERIES
The yamaha rev x reverb algorithms from the spx 2000 can be found in the LS series digital consoles, and with some basic parameter adjustment can be made to sound very nice. I will say that the tc m300 and m2000 which i have used in PA applications have very useable sounds in them compared to the gmajor, and fall somewhere in the sound quality range of the yamaha spx 2000, which i have also used in live sound reinforcement situations as well as in 2 different guitar racks. by comparison, the roland sde-1000 i just got back actually clips very musically for a digital device. headroom was much lower and the clipping onset was instant metalzone harsh. Flexible routing and control possibilities combined with 8 full. State-of-the-art DSP technology, proprietary DARC chip, 24-bit resolution gives you massive memory, high-speed processing, and uncompromised sound quality. my friend bought the gmajor thinking it would be similar to my gforce and he was really bummed when we had them side by side. The legendary G-Force gives you a variety of great sound effects in an easy to program, fun to operate, single rack unit. I can't speak for the g major 2 but the original gmajor a/b'ed against my gforce was a travesty.
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